David Lynch, visionary filmmaker behind 'Twin Peaks' and 'Mulholland Drive,' dies at 78

1 / 9

2010 AP

FILE - Filmmaker David Lynch poses for a portrait in his private screening room in Los Angeles on Sept. 9, 2010. (AP Photo/Chris Pizzello, file)

LOS ANGELES ā€“ David Lynch, the filmmaker celebrated for his uniquely dark and dreamlike vision in such movies as ā€œBlue Velvetā€ and ā€œMulholland Driveā€ and the TV series ā€œTwin Peaks,ā€ has died just days before his 79th birthday.

His family announced the death in a Facebook post on Thursday.

Recommended Videos



"Thereā€™s a big hole in the world now that heā€™s no longer with us. But, as he would say, ā€˜Keep your eye on the donut and not on the hole,ā€™ā€ the family's post read. ā€œItā€™s a beautiful day with golden sunshine and blue skies all the way.ā€

The cause of death and location was not immediately available. Last summer, Lynch had revealed to Sight and Sound that he was diagnosed with emphysema and would not be leaving his home because of fears of contracting the coronavirus or ā€œeven a cold.ā€

ā€œIā€™ve gotten emphysema from smoking for so long and so Iā€™m homebound whether I like it or not,ā€ Lynch said, adding he didnā€™t expect to make another film.

ā€œI would try to do it remotely, if it comes to it,ā€ Lynch said. ā€œI wouldnā€™t like that so much.ā€

Lynch broke through in the 1970s with the surreal ā€œEraserheadā€ and rarely failed to startle and inspire audiences, peers and critics in the following decades. His notable releases ranged from the neo-noir ā€œMulholland Driveā€ to the skewed gothic of ā€œBlue Velvetā€ to the eclectic and eccentric ā€œTwin Peaks,ā€ which won three Golden Globes, two Emmys and even a Grammy for its theme music. Pauline Kael, the film critic, called Lynch ā€œthe first populist surrealist ā€” a Frank Capra of dream logic.ā€

ā€œā€˜Blue Velvet,ā€™ ā€˜Mulholland Driveā€™ and ā€˜Elephant Manā€™ defined him as a singular, visionary dreamer who directed films that felt handmade,ā€ director Steven Spielberg said in a statement. Spielberg noted that he had cast Lynch as director John Ford in his 2022 film ā€œThe Fabelmans.ā€

ā€œIt was surreal and seemed like a scene out of one of Davidā€™s own movies,ā€ Spielberg said. ā€œThe world is going to miss such an original and unique voice.ā€

ā€œLynchianā€ became a style of its own, yet one that ultimately belonged only to him. Lynchā€™s films pulled disturbing, surrealistic mysteries and unsettling noir nightmares out of ordinary life. In the opening scenes of ā€œBlue Velvet,ā€ among suburban homes and picket fences, an investigator finds a severed ear lying in a manicured lawn.

Steven Soderbergh, who told The Associated Press on Thursday that he was a proud owner of two end tables crafted by Lynch (his numerous hobbies included furniture design), called the biographical drama ā€œElephant Manā€ a perfect film.

ā€œHeā€™s one of those filmmakers who was influential but impossible to imitate. People would try but he had one kind of algorithm that worked for him and you attempted to recreate it at your peril,ā€ Soderbergh told the AP. ā€œAs non-linear and illogical as they often seemed, they were clearly highly organized in his mind.ā€

Lynch, who was married four times and had four children, never won a competitive Academy Award. He received nominations for directing ā€œThe Elephant Man,ā€ ā€œBlue Velvetā€ and ā€œMulholland Driveā€ and, in 2019, was presented an honorary Oscar for lifetime achievement.

ā€œTo the Academy and everyone who helped me along the way, thanks,ā€ he said in characteristically off-beat remarks. ā€œYou have a very nice face. Good night.ā€

Actors regularly appearing in his movies included Kyle McLachlan, Laura Dern, Naomi Watts and Richard Farnsworth. McLachlan, who starred in ā€œBlue Velvetā€ and ā€œTwin Peaks,ā€ said Lynch ā€œwas in touch with something the rest of us wish we could get to.ā€

ā€œI always found him to be the most authentically alive person Iā€™d ever met,ā€ McLachlan said on Instagram. ā€œDavid was in tune with the universe and his own imagination on a level that seemed to be the best version of human.ā€

Aside from furniture making and painting, Lynch was a coffee maker, composer, sculptor and cartoonist. He exuded a Zen peacefulness he attributed to Transcendental Meditation, which his David Lynch Foundation promoted. In the 2017 short film ā€œWhat Did Jack Do?ā€ he played a detective interrogating a monkey. He regularly ate at, and espoused the joys of, the Los Angeles fast-food restaurant Bobā€™s Big Boy.

Lynch was himself a singular presence, almost as beguiling and deadpan as his own films. For years, he posted videos of daily weather reports from Southern California. When asked for analysis of his films, Lynch typically demurred.

ā€œI like things that leave some room to dream,ā€ he told the New York Times in 1995. ā€œA lot of mysteries are sewn up at the end, and that kills the dream.ā€

Lynch was a Missoula, Montana, native who moved around often with his family as a child and would feel most at home away from the classroom, free to explore his fascination with the world. Lynchā€™s mother was an English teacher and his father a research scientist with the U.S. Agriculture Department. He was raised in the Pacific Northwest before the family settled in Virginia. Lynchā€™s childhood was by all accounts free of trauma.

ā€œDavidā€™s always had a cheerful disposition and sunny personality, but heā€™s always been attracted to dark things,ā€ a childhood friend is quoted as saying in ā€œRoom to Dream,ā€ a 2018 book by Lynch and Kristine McKenna. ā€œThatā€™s one of the mysteries of David.ā€

He praised his parents as ā€œlovingā€ and ā€œfairā€ in his memoir, though he also recalled formative memories that shaped his sensibility.

One day near his familyā€™s Pacific Northwest home, Lynch recalled seeing a beautiful, naked woman emerge from the woods bloodied and weeping.

ā€œI saw a lot of strange things happen in the woods,ā€ Lynch told Rolling Stone. ā€œAnd it just seemed to me that people only told you 10% of what they knew and it was up to you to discover the other 90%.ā€

He had an early gift for visual arts and a passion for travel and discovery. He dropped out of several colleges before enrolling in the Pennsylvania Academy of the Fine Arts, beginning a decade-long apprenticeship as a maker of short movies. He was working as a printmaker in 1966 when he made his first film, a four-minute short named ā€œSix Men Getting Sick (Six Times).ā€ That and other work landed Lynch a place at the then-nascent American Film Institute.

There, he began working on what would become his 1977 feature debut, ā€œEraserhead.ā€ The film, featuring Jack Nance with high-rising hair to rival the Bride of Frankenstein, took four years to make and debuted in theaters at midnight. It took nearly as long to develop a cult following and the interest of Hollywood. Stanley Kubrick became an advocate and George Lucas approached him about directing a ā€œStar Warsā€ film. Another fan was Mel Brooks, who produced Lynch's next movie, ā€œThe Elephant Man.ā€

ā€œHe is very sensitive, and he really understands human nature,ā€ Lynch told Bomb magazine of Brooks. ā€œOtherwise he couldnā€™t do those great comedies. I guess ā€˜Eraserheadā€™ spoke to him, and off we went.ā€

ā€œThe Elephant Man,ā€ about Joseph Merrick, a severely deformed man who became a circus attraction in 19th century Europe, earned eight Oscar nominations. Producer Dino De Laurentiis then hired Lynch to director a big-budget adaptation of Frank Herbertā€™s ā€œDune.ā€ The film was a flop with critics and audiences ā€” Lynch described producers' trims and tweaks in post-production as ā€œa nightmareā€ ā€” but, still, the movie attracted a cult following over the years.

After that came 1986's ā€œBlue Velvet,ā€ starring Isabella Rossellini, Dennis Hopper, Laura Dern and McLachlan. Kicked off by the Bobby Vinton song, the detective story that twists its way to Hopper's oxygen-mask maniac, peeled back the superficial veneer of Reagan-era America.

ā€œThere are things lurking in the world and within us that we have to deal with,ā€ Lynch told The Los Angeles Times in 1986. ā€œYou can evade them for a while, for a long time maybe, but if you face them and name them, they start losing their power. Once you name the enemy, you can deal with it a lot better.ā€

In 1990, Lynch debuted both the Palme d'Or-winning ā€œWild at Heart,ā€ with Nicolas Cage and Dern, and the radical TV series ā€œTwin Peaks.ā€ The show, a surreal sensation about the mysterious death of high-school homecoming queen Laura Palmer, was a sensation, earning five Emmy nominations for its first season.

ā€œTwin Peaks,ā€ which Lynch created with writer Mark Frost, remains one of the most enigmatic and singularly director-driven series to ever find a wide American audience on television. It clung to Lynch, too, who returned to it with the 1992 prequel ā€œTwin Peaks: Fire Walk With Meā€ and a 2017 series.

After the nocturnal noir ā€œLost Highwayā€ (1997) and the comparatively simple road movie ā€œThe Straight Story,ā€ starring Richard Farnsworth as a 73-year-old man who travels cross country by lawn mower, Lynch directed his last masterpiece, 2001ā€™s ā€œMulholland Drive.ā€

The film, starring Laura Elena Harring and Naomi Watts as young actors in Hollywood, was assembled out of a failed TV pilot. But that restructuring only enhanced the movie's intoxicating puzzle, a doppelganger murder mystery. In the 2022 Sight and Sound poll, it ranked as the eighth greatest film of all time.

Lynch's last feature was 2006's ā€œInland Empire,ā€ a fragmented and experimental thriller made without a script and shot on digital video.

In 2005ā€™s ā€œLynch On Lynch,ā€ edited by Chris Rodley, Lynch addressed some of the mysteries at the heart of his work.

ā€œThe more you throw black into a color, the more dreamy it gets,ā€ he said. ā€œItā€™s like a little egress. You can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what youā€™re afraid of. You start seeing what you love, and it becomes like a dream.ā€

___

AP National Writer Hillel Italie contributed reporting.


Loading...

Recommended Videos