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Gucci, Saint Laurent seek radical redo of fashion calendars

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FILE - In this Feb.25, 2020 file photo, model Kaia Gerber leads other models as they wear creations for the Saint Laurent fashion collection during Women's fashion week Fall/Winter 2020/21 presented in Paris. Gucci and St. Laurent are two of the highest profile fashion houses to announce they will leave the fashion calendar behind, with its relentless four-times a year rhythm, shuttling cadres of fashionistas to global capitals where they squeeze shoulder-to-shoulder around runways for 15 breathless minutes. The coronavirus lockdown -- which has hit luxury fashion houses on their bottom lines -- has also given pause to rethink the pace of fashion. (Photo by Vianney Le Caer/Invision/AP, File)

SOAVE ā€“ Gucci and Saint Laurent are two of the highest profile luxury fashion houses to announce they will leave the fashion calendar behind, with its relentless four-times-a-year rhythm, shuttling cadres of fashionistas between global capitals where they squeeze shoulder-to-shoulder around runways for 15 breathless minutes.

The coronavirus lockdown, which has hit luxury fashion houses on their bottom lines, has also given pause to rethink the pace of fashion, offering the possibility to return to less hectic, more considered periods of creativity and production ā€” and perhaps consumption.

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Gucci creative director Alessandro Michele imagines a twice yearly appointments ā€” one in the fall and one in the spring ā€” to present co-ed collections, getting away from the hyped-up calendar which has come to require pre-season collections before the major womenā€™s and menā€™s runway shows and a one-off cruise collection, increasingly in exotic locations.

ā€œTwo appointments a year are more than enough to give time to form a creative thought, and to give more time to this system,ā€ Michele said in a video conference Monday, expanding on an idea he launched over the weekend in a series of Instagram posts from his own lockdown diaries.

The virus-imposed shutdown ā€” while stopping production and consumption that feed the fashion cycle ā€” also recharged creativity among those who found new time for reflection. "It is a great gift that our planet gave us, a great gift that cannot be discarded,ā€™ā€™ Michele said.

Michele said he hopes that a new calendar and new rhythms would be decided within the fashion system and in cooperation with other designers.

It has been clear for the last few years that the fashion world has been suffering under the current pace: More luxury houses have been combining menā€™s and womenā€™s shows as genderless and even seasonless dressing becomes a global theme; it hasn't been unheard-of for major brands to skip a season or to venture away from their fashion cities to expand their audience.

Saint Laurent hasnā€™t articulated its intentions, but said in a statement last month that it would ā€œtake controlā€ of the fashion schedule ā€œconscious of the current circumstances and its waves of radical change.ā€

Luxury fashion was one of the first industries to show suffer from coronavirus, first with the China shutdown that closed boutiques and blocked travelers already in January from a region responsible for a third of global luxury. And the pandemic appeared in Europe just as Fall-Winter 2020-21 shows were underway in Milan and then Paris.

Illustrating just how vulnerable the show system is in the face of a fast-spreading global virus, Giorgio Armani showed his collection in a closed theater on Feb. 23 ā€” just two days after Italy became the first Western country with a coronavirus outbreak.

Armani also has called for a major rethink of changes in luxury fashion during his 45 years as a stalwart of Milan fashion.

In a letter to Womenā€™s Wear Daily last month, Armani said he found it ā€œimmoralā€ for luxury fashion to adopt the pace of fast fashion ā€” the drive to deliver more in pursuit of profits ā€œyet forgetting that luxury takes time, to be achieved and to be appreciated.ā€ That has included moves toward see-now, buy-now capsule collections by some brands, running in direct opposition to his notions of ā€œtimeless elegance.ā€

ā€œIt makes no sense for one of my jackets or suits to live in the shop for three weeks before becoming obsolete, replaced by new goods that are not too different,ā€ Armani said.

Armani, who opened his Milan boutiques last week as the Italian economy slowly reopens, said he would keep summer collections in stores until September ā€” running counter to recent practice that put linen dresses in stores in winter and Alpaca coats in the summer.

The British Fashion Council and the Council of Fashion Designers of America also have endorsed resetting ā€œthe way in which we work and show our collections.ā€ They encouraged brands ā€œto slow down,ā€ and reconsider how much merchandise they produce.

The Italian Fashion Chamber is promoting three days of online presentation of menā€™s and womenā€™s collections in July to substitute the regular June calendar. Gucci will participate with a collection called ā€œEpilogue,ā€ to represent the end of an era.

When the fashion communication rebirth that Michele envisions will happen remains to be seen. He said September is too soon, while Saint Laurent only said it wouldn't participate in any previously scheduled events this year.

Fashion chamber president Carlo Capasa canā€™t say when live shows might return to the agenda ā€” but he says they are irreplaceable.

ā€œI believe that the digital experience is important, but it should be tied with a physical experience,ā€ Capasa told AP. ā€œWhoever has been to a fashion show knows the importance of the setting and the emotions.ā€

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Thomas Adamson reported from Leeds, England.

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Follow AP pandemic coverage at http://apnews.com/VirusOutbreak and https://apnews.com/UnderstandingtheOutbreak


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